This winter concert rings in the golden anniversary, with a program including works by Johannes Brahms, René Clausen, Rollo Dilworth, Gabriel Fauré, Elaine Hagenberg, David Hurd, and Karen Siegel, and new pieces written for the occasion by Artistic Director and Conductor Colin Britt and former Artistic Director Michael Conley!
Merriweather joins former conductors Gwen Gould, Andrew Megill, and Michael Conley,
Emmett Till, A New American Opera, conceived by playwright and librettist Clare Coss and composer Mary D. Watkins, will have its world premiere March 23 with an encore performance on March 24 at the Gerald W. Lynch Theatre at John Jay College. Both performances begin at 7 PM. The production is co-presented by John Jay College, Opera Noire International, The Harlem Chamber Players, and Harlem Arts Alliance.
The opera will star mezzo-soprano Lucia Bradford as Mamie Till, tenor Robert Mack as Emmett Till, mezzo-soprano Abigail Wright as Roanne Taylor, soprano Amanda Rose Austin as Carolyn Bryant, baritone Justin Ryan as Roy Bryant, contralto Karmesha Peake as Aunt Lizzy, and baritone Markell Reed as Maurice Wright. Malcolm Merriweather serves as chorus master, with Kyle Walker as rehearsal pianist.
Conducted by 2021 Pulitzer Prize winner Tania León, the production centers around the murder of Emmett Till and explores themes of social justice, the flaws within the justice system, white silence and allyship, racial inequality, and the complexities of the human experience.
Based on Coss’ award-winning 2013 play Emmett, Down in My Heart, the opera reimagines the events around the tragic murder of Till, a 14 year-old African-American boy from Chicago who was lynched in Mississippi in 1955. Following his mother’s brave decision to have an open casket funeral so that the world would see what was done to her son, the lynching of Emmett Till became a catalyst for the Civil Rights movement and stands as a turning point in the racial reckoning of this country.
