Merriweather will present the “Calamus Songs” of Gregg Smith with pianist, Nissa Kahle and flutist, Lish Lindsey.
Malcolm J. Merriweather, conductor
Sing with The Dessoff Choirs as we gather to lift our voices in holiday cheer with one of the most beloved choral masterpieces, Handel’s Messiah.
Malcolm J. Merriweather, conductor
The Dessoff Choirs ushers in the winter solstice with a reprise performance of Margaret Bonds’ The Ballad of the Brown King, coinciding with Dessoff’s CD release of this never-before recorded work. A holiday cantata focusing on Balthazar of the Three Kings, the text was written by Langston Hughes and the entire work was written in honor of Martin Luther King, Jr. The concert opens with traditional holiday motets and concludes with Silent Night by candlelight and the “Hallelujah Chorus” from Handel’s Messiah.
Pre-concert talk with Dr. Ashley Jackson – 3:15 pm
| Rise up, Shepherd, and Follow | André J. Thomas (b. 1952) |
| Carol: O come all ye faithful | John Francis Wade (1711-1786) |
| Arr. David Willcocks (b. 1919-2015) | |
| The snow lay on the ground | Julian Wachner (b. 1969) |
| Carol: Hark the herald angels sing | Felix Mendelssohn (1809-1847) |
| Arr. Daniel Fortune and Malcolm J. Merriweather | |
| The Ballad of the Brown King | Margaret Bonds (1913-1972) |
| Carol: Silent Night | Franz Xaver Gruber (1787-1863) |
| Hallelujah from Messiah | George Friderick Handel (1685-1759) |
Malcolm J. Merriweather, conductor
Harvard Club Festival Chorus and Orchestra
Merriweather conducts the Conservertory Symphonic Choir and Orchestra in an annual presentation of Handel’s Messiah.
This winter concert rings in the golden anniversary, with a program including works by Johannes Brahms, René Clausen, Rollo Dilworth, Gabriel Fauré, Elaine Hagenberg, David Hurd, and Karen Siegel, and new pieces written for the occasion by Artistic Director and Conductor Colin Britt and former Artistic Director Michael Conley!
Merriweather joins former conductors Gwen Gould, Andrew Megill, and Michael Conley,
Emmett Till, A New American Opera, conceived by playwright and librettist Clare Coss and composer Mary D. Watkins, will have its world premiere March 23 with an encore performance on March 24 at the Gerald W. Lynch Theatre at John Jay College. Both performances begin at 7 PM. The production is co-presented by John Jay College, Opera Noire International, The Harlem Chamber Players, and Harlem Arts Alliance.
The opera will star mezzo-soprano Lucia Bradford as Mamie Till, tenor Robert Mack as Emmett Till, mezzo-soprano Abigail Wright as Roanne Taylor, soprano Amanda Rose Austin as Carolyn Bryant, baritone Justin Ryan as Roy Bryant, contralto Karmesha Peake as Aunt Lizzy, and baritone Markell Reed as Maurice Wright. Malcolm Merriweather serves as chorus master, with Kyle Walker as rehearsal pianist.
Conducted by 2021 Pulitzer Prize winner Tania León, the production centers around the murder of Emmett Till and explores themes of social justice, the flaws within the justice system, white silence and allyship, racial inequality, and the complexities of the human experience.
Based on Coss’ award-winning 2013 play Emmett, Down in My Heart, the opera reimagines the events around the tragic murder of Till, a 14 year-old African-American boy from Chicago who was lynched in Mississippi in 1955. Following his mother’s brave decision to have an open casket funeral so that the world would see what was done to her son, the lynching of Emmett Till became a catalyst for the Civil Rights movement and stands as a turning point in the racial reckoning of this country.
Emmett Till: A New American Opera is an exciting profoundly moving New York Premiere concert performance by composer Mary D. Watkins and librettist Clare Coss featuring 8 soloist performers and 24-piece orchestra, conducted by Pulitzer Prize-winning composer Tania León. Merriweather serves as chorus master.
Merriweather sings the role of “Pilate.” Trinity ensembles join forces with the Saint Thomas Choir of Men and Boys of Saint Thomas Church Fifth Avenue and New York Baroque Incorporated to present Bach’s St. Matthew Passion, one of the quintessential masterpieces of western classical music. The Passion According to St. Matthew, BWV 244, is a dramatic integration of scripture, new poetry, and great hymns of the Lutheran tradition. Bach’s sublime setting creates a portrayal of the Passion that is both profoundly human and divine.
Merriweather sings the role of “Pilate.” Trinity ensembles join forces with the Saint Thomas Choir of Men and Boys of Saint Thomas Church Fifth Avenue and New York Baroque Incorporated to present Bach’s St. Matthew Passion, one of the quintessential masterpieces of western classical music. The Passion According to St. Matthew, BWV 244, is a dramatic integration of scripture, new poetry, and great hymns of the Lutheran tradition. Bach’s sublime setting creates a portrayal of the Passion that is both profoundly human and divine.
